SC School Choice update!

Completely unrelated to ENG 102 and this semester’s ENG 101, but I thought my AAST class and former 101ers would be interested in this bit of news. I was wondering when this issue would spark back up. What do you think? Do you still feel the same about it?

TheSunNews: LATEST | SC lawmakers hear about latest school choice bill: http://bit.ly/g24pzJ

ENG 101 Research Paper Details

Your final three weeks of class will be spent writing an original researched argumentative essay.

The following is the sequence of projects for the rest of the semester. The research paper must be completed in order to pass this course.

  1. Exploratory/Question Draft (Due Date: 7/14)
  2. Research Paper Proposal with Reading List (Due Date: Draft 7/19; Final with Reading List 7/21)
  3. Research Paper (Due Date: Included in Final Portfolio during Exam Period)

Continue reading

Schedule: Week 11 (3/21, 3/23)

Monday: In-Class: Hand out film prompt. Watch part one of film (TBD).

Wednesday: Film cont’d.

Requirements: An original film review of the film shown in class, 500-750 words minimum (1-2 pages) but no more than 1000 words, typed and double-spaced, and following MLA guidelines. You may use research if you like, but the worst thing a reviewer can do is to copy the review of another. So, you may use research for context (about the actors, director, time period, etc) or to respond to other reviews offering a different perspective.

Prompt: For this essay you will be crafting one of the most popular forms of literary criticism, the film review. Although many blogs, newspapers and websites will give capsule reviews or a simple thumbs up or down, the critical movie review is actually a short analytical essay that assesses the artistic and social merit of a film by highlighting aspects like theme, symbolism, character, cleverness of plot, etc. It might also examine the use of music, camera angles, color and lighting. The formal review also typically considers historical and social context–is this movie characteristic of a certain genre, time, or culture?

Critical reviews can be difficult to write because like an acrobat, they must walk the fine line between descriptive objectivity of what the viewer sees and what the story is, and how and why the film is successful or unsuccessful (however the reviewer decides to employ those terms). Moreover, they must be fun and entertaining to read!

Obviously, a review can’t cover everything about a movie, so it is common to choose the elements that highlight the best and worst aspects of a particular work. Don’t stress too much. This is like a response paper, only a little longer and with a clear purpose–to argue an evaluation of a movie to a movie-going reader.

Once begin writing reviews regularly, you might find that you actually enjoy the processes of viewing movies with a sharp, critical eye. As major publications shift toward increasing online content, reviewers are actually in high demand. One of my favorite websites, Popmatters, is actually seeking some freelance movie critics that want to cut their teeth in the trade.

The best way to understand the genre that I’m asking you to write in is to read! Here are some excellent reviews to help you understand the style of this assignment:

A. O. Scott’s review of Limitless starring Bradley Cooper (via nytimes.com)

Ben Traver’s review of The Switch blu-ray starring Jason Bateman and Jennifer Aniston (via popmatters.com)

Todd Gilchrist’s review of Paul starring Simon Pegg (via cinematical.com)

 

Schedule: Week 12 (3/28, 3/30)

Reminder: 3/28 is the final day to withdraw from this course without penalty. Any W after this day will affect your GPA and academic standing.

Monday:  Finish film. Re-watch chapters at class’s request (I typically review sections that I plan to write about in my reviews). Any remaining time will be spent writing and workshopping.

Wednesday: Due: 3 copies of film review for a class workshop.  Also, read Act I of A Doll’s House. In-class: Workshop

Schedule: Week 14 (4/11, 4/13)

Monday: Due: Formal proposal for your thematic paper (1 page, double-spaced). Your proposal should indicate some of the points you hope to make in your essay and give a clear indication of where you are headed. This requires serious thought and planning so please come with a developed proposal.

In-Class: Review of databases/research resources

Wednesday: Library work day. Conway Campus class please meet in the library (1100 building).

Schedule: Week 12 (3/30, 4/1)

Wednesday: Due: Question Draft. Read TCW 476-480. In-Class: Group brainstorming using TCW 424-430 as a guide. Discuss proposal and show a sample (prompt and sample after the jump).

Friday: As announced, CLASS IS CANCELLED! Please prepare complete drafts with thorough reading lists for our next meeting. Look here for a sample research paper proposal and reading list to use as a model. Continue reading

Schedule: Week 15 & 16

4/18; 4/20; 4/25

AAST students only: SPRING BREAK

Continue to work on your research papers. You will turn in your research papers on Wednesday when you return, so please remember to bring a final copy with you after break.

Optional: If you’d like me to read and provide written comments on a draft, please email a full draft (meeting minimum page requirements) no later than 4/20.

 

ENG 102 Literary Research Essay Prompt

Literary Research Essay

Due: Final exam day of class

Notes: You cannot pass this course without completing this essay. Late assignments will not be accepted since they are due during our final class meeting. For students wishing to use texts which are heavily excerpted (Persepolis or The Arrival, for example), I highly recommend obtaining the full graphic novel for this project as the excerpts are quite short.

Length: 4-5 pages (four full pages minimum), 12 point Times New Roman, 1″ margins, stapled or paper clipped.

Research: Two to three critical sources (quoted or paraphrased) should be integrated to your paper using MLA style.  Sources are to be literary criticism or articles on topical issues from the academic databases or library resources only, not popular websites. The databases used will be indicated in your works cited page.

Continue reading

Schedule: Weeks 15 & 16 (4/18-4/27)

Monday 4/18: Due: Continue to work on paper. In-Class: MLA review; begin A Doll’s House film.

Wednesday 4/20: Due: Work on paper. In-Class: Finish A Doll’s House film.

Monday 4/25: Workshop (bring draft of essay to share with classmates)

Wednesday 4/27: Final paper due.

NOTE: I’ll happily read, offer feedback, and answer questions during your drafting phase. If you’d like me to read your draft before the due date, please schedule a 15-30 minute conference with me. 4/18-4/25 I am available for extended office hours on M/W by request only: M: 930-11; 11-2 by request; T 11-3; W 930-11; 11-2 by request; R 11-3; F 11-1230.

I also do not mind meeting you early (before class) if you can’t find a time to meet with me. Simply send me an email and propose a day and time.

GOOD LUCK!!

 

Summer Schedule: Week 9 (7/12, 7/14)

Tues 7/12: Due: Final draft of position paper.

In-class: Read TCW 423-424; 426-431. Locating & evaluating sources. Hand out prompt for Exploratory/Question Draft (see assignment in expanded post).

Show plan for series of related writing projects to take us through the remainder of the semester. (This post describes the stages to writing your research paper)

Thurs 7/14: Due: Exploratory/Question Draft (counts as a short writing assignment grade).

In-Class: Review a sample Proposal and review the Research Proposal Assignment (Draft of Proposal is due the following Tuesday, 7/19)

Continue reading

Summer Schedule: Week 10 (7/19, 7/21)

Tue 7/19: Due: Draft of Proposal. (See above for post about the proposal)

In-Class: MLA Works Cited page. Rest of period is reserved for collecting and reading research.

Thu 7/21: Due: Final Proposal.

In-Class: Proposal approval conferences and independent work day. Begin drafting your paper as you read and evaluate sources.

ENG 101 Research Proposal

Featured

As you work your way through college, you may be called on to write a research proposal.  A research proposal outlines what you want to write about.  It introduces the topic generally, its significance, and focuses on a handful of specific, interesting questions. Your proposal will also have a reading list which mentions the potential sources that address your topic. (While this will require you to do some preliminary research for primary and secondary sources, it shouldn’t require you to do much reading at this point). Continue reading

Sample Research Paper

Featured

Linked is a sample researched essay written by an HGTC student a couple semesters ago for an ENG 101 course. It received an ‘A’ grade and represents the type of writing for which you should strive.

Professor Heafner and I added editorial remarks in the margins (akin to our class’s textbook and our discussions) to identify how and why the essay is successful and effective. Please feel free to use it as a model, but do not write upon a topic similar to this student.

Sample Research Paper with Instructor Annotations

Launch

Just purchased the domain www.deanblumberg.com, which unsurprisingly, was still available. My intention for the site is that it will act as a kind of home base for me socially, creatively and academically.  Given that I am graduating in a few months (I should finishing my thesis right now!), this site can also act as a place to showcase my vita and selected writings (dare I call it a portfolio?).

While I’ve been busy finishing up more academic texts for my degree, I’ve also been working on some comics/fiction projects that I can hopefully share.  I’ve linked my twitter acount and picasa photostream with some cool wordpress widgets.  For anyone interested, there are some really great plugins that you can search on wordpress.org, making it really easy to integrate all the various facets of one’s life in a single place.

Next up: re-design my cv for the web!

Schedule: Week 1

Tuesday, 1/11: Winter weather delay. No classes until 10am. Will briefly overview course if any students show up.

Thursday, 1/13: In-Class: Brief intro to course and expectations. Diagnostic Essay.

ENG 101: Composition I Syllabus

English 101: Composition I / Summer 2012

Instructor: Dean Blumberg, Professor
Office: 700 Building, Rm. 703 (Conway campus)
Skype: blumberg.dean
Phone: 843-349-5335
Email: dean [dot] blumberg [at] hgtc [dot] edu
Office Hours: TBD

Prerequisite: English Department policy requires that students taking English 101 be placed in accordance with scores on the COMPASS test, the ACT, or the SAT. A grade of “C” or better in English 101 is necessary to proceed to English 102. A diagnostic essay will be written on day one in all English 101 classes and in all English 100 classes. The purpose of the diagnostic is twofold: it reaffirms placement of each student, and it provides the instructor with immediate feedback regarding the individual writer’s strengths and weaknesses from the beginning.

From the HGTC Instructional Package:

PURPOSE: To provide the student with an intensive, process-oriented writing course which will promote the effective, well organized, and well-developed logical communication skills demanded in college work and in professional careers

RATIONALE: English 101 is a college transfer course, a component of the four-year baccalaureate degree.  Every student completing this course with a minimum grade of “C” will demonstrate competent, college-level writing skills.  The development of these skills will be achieved by intensive writing.

Students learn to write by writing.  Whatever level their personal best is, they will discover it only through the process of writing.  Therefore, they will write as much and as often as possible in this course.  In addition to graded assignments, students will have opportunities to practice non-graded writing through in-class exercises in planning, drafting and revising.

*In general, “organized” refers to an essay’s structure and form; “developed” refers to an essay’s content.

COURSE DESCRIPTION: A college/university parallel transfer course in composition which concentrates on frequent in-class essay writing in conjunction with a study of professional essays as models. The course includes a review of standard usage and introduces the documentation of sources.

Read the full Instructional Package.

Course Objectives:

  • Critical thinking is a key component to successful college writing.  Therefore, one of the goals of this class is to enhance critical thinking skills and become comfortable sharing ideas and insights in a college setting.
  • To become familiar with the process model of writing and learn to adapt practices to individual writing challenges.
  • To learn the basics of college-level research including electronic and bound resources.
  • To gain experience giving and receiving constructive feedback on writing to/from one’s peers, self, and instructor.

Classes will consist of reading, discussion, writing, and in-class workshops. Each member of the class will compose at least four original essays with multiple drafts throughout the semester.

Instructional Methods: Reading assignments from our textbook and some outside readings will form the basis for small-group and whole-class discussions.  The readings, discussions, and both informal and formal writing assignments are intended to help you to think and write critically about the culture(s) in which we live.  Writing assignments, peer revising and editing workshops, and student-teacher conferences will help you develop your writing process.

Course Website: This course is largely paperless. Therefore, please bookmark www.deanblumberg.com. I will use this website to post the syllabus and schedule, assignments and paper prompts, resources and links, and other helpful materials. The website hosts separate pages for each section.

Writing Assignments:

  • Literacy Narrative Essay (multiple drafts)
  • Short Writings: Journal/Short Responses/Reflections (written throughout the semester in class and at home; usually between 1-3 typed, double-spaced pages)*
  • Position Paper (multiple drafts)
  • Proposal Paper and Annotations (multiple drafts)
  • Researched Analysis/Argumentative Essay (multiple components and drafts)
  • Reflective Portfolio Letter

*Note on writings: All formal assignments (excluding freewrites and notes) should be typed double-space with 1’’ margins in 12 point, Times New Roman font.

*Short writings will be collected in batches periodically throughout the semester. Please save all writings digitally and in hard copy for your own benefit.

Portfolio: The final portfolio is not optional.  This is the final product of all of the process work you will do throughout the semester—do not throw away anything that you write for this class.

Late Policy: All work is due by class time on the date indicated. Late assignments will be worth half credit and must be turned in within 48 hours of the original due date.

Two exceptions: I will not accept any late research papers or final portfolios. If you will be absent, please find a way to get me your work ahead of time. Reading quizzes cannot be made up; however, I will allow you one alternate assignment to replace a quiz.

Required Texts:

Please bring your textbooks to every class period.

Bullock, Richard H, Maureen Daly Goggin and Francine Weinberg. The Norton Field Guide to Writing: With Handbook. 2nd ed. New York: W.W. Norton & Co, 2009. Print.

Graff, Gerald, and Cathy Birkenstein. They Say / I Say: The Moves That Matter in Academic Writing.  2nd ed. New York: W.W. Norton & Co, 2010. Print.

Additional Readings: If I assign you readings to access electronically (as .pdf files on the course website, for example), I expect you to print those readings and bring them with you to class.

Printing: You may be doing a fair amount of printing for this class (if we are not in a computer classroom) as we will have in-class peer review sessions.  Make sure you have access to a reliable computer and printer. Personal printer failure is not an acceptable excuse for not having drafts.  I highly advise you to print documents well in advance of our class time.

Standard Grammar: English 101 is a University-transfer course. Significant problems with grammar and standard usage should not occur at this level. Extensive tutoring to rectify grammatical weaknesses will be needed if substantial errors are present. Work in the Writing Center will be recommended. Resources I find particularly useful are also located on the course website. The Norton Field Guide also covers grammar and mechanical issues that we may not review as a class whole. Significant errors in sentence structure, punctuation, or standard grammar will prohibit any writing from receiving a passing grade.

Attendance Policy: Attendance and participation is extremely important. Excessive absence will result in immediate withdrawal from this and other classes at HGTC. This is College and State Technical College Board policy, not individual instructor policy. The maximum number of absences a student may accumulate without being withdrawn from this class is three, dating from the first class period. Please understand that there is no distinction made between an excused and an unexcused absence; anyone exceeding three days is withdrawn (receiving a grade of W or WF) in accordance with College policy.

Attendance is taken daily and promptly at the start of class. Because tardiness has become a distracting epidemic as of late, if you are not present when roll is called, you will be marked absent. No “late” or “tardy” status–be on time.

If a class session is missed, you are responsible for determining what needs to be made up. It would be a good idea, for this reason, to get the phone number or e-mail address of at least one classmate in order to have a contact should an unavoidable absence occur. Class participation in a composition class often, however, cannot be duplicated if a class is missed—e.g. peer feedback sessions, group discussions, etc. You are responsible for being on-time and present, both mentally and physically, in order to be counted present.

Noisemakers: Cell phones should be set to vibrate or turned off during class time.  Likewise, texting in class is inappropriate and rude and may be grounds for being marked “absent.”  Inappropriate use of other devices in class follows a similar policy.

Additional Requirements, Policies, and Evaluation Criteria:

  • All drafts of each paper must be completed on time in order to receive full credit.
  • Completion of the portfolio and final research paper are required to pass this class.
  • You must participate fully in peer workshop sessions in order to receive full process credit.
  • In this classroom, you may hear, see, or read some thought-provoking ideas.  Please give them your utmost courtesy and consideration.
  • Completing and reflecting upon the reading assignments are crucial to your success.
  • Quizzes will be used to determine how well the class is doing with the reading. Quizzes they will be reflected in the “Short Writings” portion of your grade.
  • Excessive tardiness may result in being marked as absent; be on time.
  • Please do not bring children to class. If you have a family emergency, please contact me and I will work with you to make up missed work.

Academic Integrity: Plagiarism is as serious an offense as exists within an academic environment. Plagiarism, cheating, collusion, falsification of information, or any other form of academic dishonesty will not be tolerated and will result in discipline including, at the very least, a zero on the assignment in question, and more likely failure in the entire course. Anyone guilty of plagiarism, cheating, collusion, or falsification of information will be reported to the Vice President of Student Affairs, Greg Thompson, for possible further penalties beyond that which is levied within this class.

Submission of an essay which has been proven to be directly copied from the internet or otherwise will result in implementation of the disciplinary process which is detailed in the current HGTC Catalog and Student Handbook under “Student Code”: IV. B. Academic Misconduct (51-52).

Special Accommodations: Horry-Georgetown Technical College believes all qualified students should have the opportunity to access and succeed in higher education. To that end, the College partners with students to provide reasonable accommodations and academic adjustments for students with documented disabilities who self-identify as having a need for such services. For more information contact Laura Milling for more information at laura.milling@hgtc.edu.

The Writing Center: No, there’s no extra credit for going, but I’d wager your grade would benefit from a visit. There is a center on each HGTC campus. The Conway center is 1100C Room 230 and the phone is (843) 349-7872. The Grand Strand center is located in 200GS Room 230 and their phone is 843-477-2113.

Requirements and Criteria for Evaluation:

Draft and Workshop Credit: 10%

Literacy Narrative Final: 10%

Textual Analysis Final: 15%

Proposal and Reading List Final:15%

Research Paper Final: 25%

Short Writings: 15%

Portfolio and Reflective Letter: 10%

ENG 102: Composition II Syllabus

English 102: Composition II / Summer2012

Instructor: Dean Blumberg, Professor
Office: Conway Campus, 700 Building, Rm. 703
Phone: 843-349-5335 (office)
Email: dean [dot] blumberg [at] hgtc [dot] edu
Skype: blumberg.dean
Office Hours: TBD

PURPOSE: The overall purpose of ENG 102 is to enable students to make their own informed critical evaluations.  The students will learn to read and interpret literature analytically, and will develop their interpretations in writing well-supported critical essays and at least one researched paper.  In addition to effective communication, analytical skills are essential for success in college and in all career fields.

RATIONALE:

1. The study of literature helps students develop sensitivity to the power and potential of language.  It increases their awareness of the need for precise description, vivid expression and clear definition in all communication, including their own writing.

2. Literary analysis provides students with an opportunity to develop and exercise critical thinking skills.  Students will discover that the analytical skills employed in literary criticism are demanded in other academic subjects and in their professions.

3. A study of literature provides a range of viewpoints to increase the student’s perspective and exposes the student to the finest expressions of human imagination.  Einstein said “Imagination is more important than knowledge.”  The exploration of literature provides the student with an understanding of the value of imagination in all human endeavor–and encourages them to use their own.

COURSE DESCRIPTION:

ENG 102 is a college transfer course which introduces students to the critical study of literature.  The student will develop critical interpretation skills through frequent writing assignments.  Academic research skills will be developed through at least one documented paper.

Prerequisite: English Department Policy requires that students taking English 102 have earned a grade of “C” or better in English 101.

Required Materials:

Kirszner, Laurie G. and Stephen R. Mandell. Literature: Reading, Reacting, Writing. 7th ed. Boston: Wadsworth Cengage, 2010. Print.

Diaz, Junot. The Brief Wondrous Life of Oscar Wao. Print or e-book is acceptable. Order from Amazon or similar retailers.

You may need an MLA style guide, such as the Brief Holt Handbook or The Easy Writer, or alternatively, guidelines provided by the Purdue OWL (online writing lab) website, which happens to be a phenomenal resource.

Libraries: HGTC’s library subscribes to a number of excellent research databases, many of which we will be using throughout the course of the semester.  Students should also be aware that any current HGTC student has full borrowing privileges at Coastal Carolina University’s Kimbel Library as well as at HGTC. A CCU library card could prove quite worthwhile as it may help with research assignments in English courses and beyond.

Attendance Policy: Attendance and participation is extremely important. Excessive absence will result in immediate withdrawal from this and other classes at HGTC. This is College and State Technical College Board policy, not individual instructor policy. The maximum number of absences a student may accumulate without being withdrawn from this class is three, dating from the first class period. Please understand that there is no distinction made between an excused and an unexcused absence; anyone exceeding three days is withdrawn (receiving a grade of W or WF) in accordance with College policy.

Attendance is taken daily and promptly at the start of class. If you miss attendance, you will be marked absent. If you decide to enter the class after it has started, please do so with as little distraction as possible.

If a class session is missed, you are responsible for determining what needs to be made up. It would be a good idea, for this reason, to get the phone number or e-mail address of at least one classmate in order to have a contact should an unavoidable absence occur. Class participation in a composition class often, however, cannot be duplicated if a class is missed—e.g. peer feedback sessions, group discussions, etc. You are responsible for being on-time and present, both mentally and physically, in order to be counted present.

Noisemakers: Cell phones should be set to vibrate or turned off during class time.  Likewise, texting in class is inappropriate and rude and may be grounds for being marked “absent.”  Inappropriate use of computers in class follows a similar policy.

Additional Requirements, Policies, and Evaluation Criteria:

  • All drafts of each paper must be completed on time in order to receive full credit.
  • You must participate fully in peer workshop sessions in order to receive full process credit.
  • In this classroom, you may hear, see, or read some thought-provoking ideas.  Please give them your utmost courtesy and consideration.
  • Completing and reflecting upon the reading assignments are crucial to your success.
  • Quizzes will be used to determine how well the class is doing with the reading.
  • You may use a laptop in class so long as it is used for class.  If you are using it for non-classroom activities, you will not receive credit for the class and will be marked absent.
  • Excessive tardiness may result in being marked as absent; be on time.

Course Website: In order to conserve paper and cut down on printing costs for you and me, this course will rely heavily upon a class website located at www.deanblumberg.com. I will use this website to post the syllabus and schedule, assignments and paper prompts, resources and links, and other helpful materials. The website hosts separate pages for each section. Additionally, I will use D2L to maintain attendance and grade records.

Standard Grammar: English 102 is a university-transfer course.  Significant problems with grammar and standard usage should not occur at this level.  Extensive tutoring will be needed if substantial errors are present.  Significant errors in sentence structure, punctuation, or standard grammar will prevent a formal essay from receiving a passing grade. HGTC has a writing center and offers one-to-one tutoring services.

Assignments and Percentages: HGTC uses a ten-point scale for grade calculation.

Workshop Participation/Engaging in Discussion = 10%
Poetry Essay = 15%
Tumblr Project =   15%
Film Review = 15%
Short Writing Assignments*/Quizzes** = 20%
Researched Thematic Essay = 25%

Note on written work: All written works for this class must be typed and double-spaced, using 12 pt Times New Roman with 1” margins. All essays should follow MLA guidelines.

*You will frequently compose short response papers that will be analytical in nature and between 1-2 pages in length. Treat these as mini-essays. I will collect them periodically throughout the semester, so be sure to print them and keep them in a binder, bringing them with you to class.

**Quizzes: Reading quizzes will be given on a weekly, if not daily, basis. Reading quizzes cannot be made up; however, I will allow you one alternate assignment to replace a quiz.

Late Policy: All work is due by class time on the date indicated. Late assignments will be worth half credit and must be turned in within 48 hours of the original due date. If you will be absent, please find a way to get me your work ahead of time. Exception: I will not accept any late research papers/collections of short writings.

Academic Integrity: Plagiarism is as serious an offense as exists within an academic environment. Plagiarism, cheating, collusion, falsification of information, or any other form of academic dishonesty will not be tolerated and will result in discipline including, at the very least, a zero on the assignment in question, and up to failure in the entire course and possible probation or expulsion from the College. Anyone guilty of plagiarism, cheating, collusion, or falsification of information will be reported to the Vice President of Student Affairs, Greg Thompson, for possible further penalties beyond that which is levied within this class.

Submission of an essay which has been proven to be directly copied from the internet or otherwise will result in implementation of the disciplinary process which is detailed in the current HGTC Catalog and Student Handbook under “Student Code”: IV. B. Academic Misconduct (51-52).

Special Accommodations: Horry-Georgetown Technical College believes all qualified students should have the opportunity to access and succeed in higher education. To that end, the College partners with students to provide reasonable accommodations and academic adjustments for students with documented disabilities who self-identify as having a need for such services. Contact Laura Milling for more information at laura.milling@hgtc.edu.

The Writing Center: No, there’s no extra credit for going, but I’d wager your grade would benefit from a visit. There is a center on each HGTC campus. The Conway center is 1100C Room 230 and the phone is (843) 349-7872. The Grand Strand center is located in 200GS Room 230 and their phone is 843-477-2113.