Update: Beginning Wed. Jan. 11th, we will be meeting in Room 223 in the 200 building. Thanks!
Author Archives: Dean Blumberg
Purchase this novel!

All 102 sections have voted in favor of a novel! We will all read The Brief Wondrous Life of Oscar Wao by Junot Diaz.
We will probably start reading this novel in the beginning of March, so please make sure you get a copy as soon as possible! Locally, Barnes & Noble (Market Commons) and Books-A-Million (Inlet Square and Coastal Grand malls) both have new paperbacks that retail for 14.00; it is also on Amazon for about 10 bucks new and much cheaper used. E-books are also cool–so feel free to bring iPad/Nook/Kindle to class if you go that route.
Business Culture Memo Assignment
To: ENG 155 Students
From: Professor Blumberg
Subject: Business Culture Summary Memo
Due Date: No later than 5PM Jan. 27, 2012
The purpose of this assignment is to introduce the business culture of a foreign country to the instructor. Consider the instructor a company manager planning his first business trip to the country. Use Table 3-1 on page 76 of the textbook to help guide your writing. This table highlights and asks many of the common questions and concerns a business traveler might have. In a broad sense, you should address at least one significant aspect from each of the following areas:
1) Relevant social customs and behaviors
2) Food and clothing norms
3) Legal and ethical issues
4) Economic and business structure
Additionally, you will need to document the sources that are used to gather the above information. They need not be scholarly. Document these sources by simply stating in your introductory paragraph where you looked for information. I have created a wiki page with some “business culture” links that may be helpful to your research. Feel free to add to or edit the list for the benefit of other students.
Example: I looked at the “Poland” section of Executive Planet (http://www.executiveplanet.com), a website dedicated to profiling the business culture and customs of countries around the world.
You need not follow a particular institution’s citation guidelines, but I will check the document for plagiarism. (Paraphrase in your own words and attribute ideas to the source).
Format Requirements: Memo format required for this assignment (see Figure 1.10 p. 26 in your text). Purpose of memo and sources must be clearly stated in first paragraph, and you must have at least one separate paragraph for each of the four required areas. Document must be typed.
What follows is a rubric for the assignment.
Rubric:
_____ 60% Content. Information is relevant/clearly expressed in paragraphs.
_____ 20% Memo format
_____ 20% Memo is free of major errors in GSP
Audience Profile Info
Here is the Quantcast profile for TheDigitel Myrtle Beach website that Melissa Byers mentioned during class on 2/15.
The Quantcast profile provides helpful demographic information that will help you tremendously with your audience analysis memo.
Melissa can be contacted at melissa [dot] byers [at] thedigitel [dot] com.
Final Assignment: Job Application & Interview

(not the interview I had in mind….)
Here is the prompt for your final assignment. Please print it and bring it to the interview: job_application_portfolio_assignment.
Name: _______________________
To: ENG 155 Students
From: Professor Blumberg
Subject: Job Application Portfolio: Résumé, Application Letter, Interview
Due: At interview (Interviews will be held in instructor’s office: 703, 700 Bldg, Conway Campus)
My interview day is:_______________ My interview time is: ___________________
The purpose of this assignment is to gain experience constructing a formal résumé and application letter that will be used at a mock employment interview. Your task is to locate, apply and interview for a position in which you are adequately qualified*. Since this assignment is to benefit you currently, the information provided on your résumé and letter must be factual.
Note: Job position may be located anywhere and may be open or closed to applications. You may also create your own job opening based around a real job description and a real company (this need prior approval).
You will present a final draft of the resume and application letter at the time of your interview. Be sure to come prepared.
Additionally, you will need to turn in a copy of this assignment handout for scoring at the time of the interview.
Format Requirements:
Résumé: Follow the general guidelines for resume design in your textbook and those discussed in class. If you are in a field that values more creative formats, feel free to employ a non-traditional structure.
Application letter: Block letter format. Also see example letters in Ch. 16.
Interview: Will be conducted live. Wear suitable attire and come prepared to ask the interviewer some questions.
What follows is a rubric for each part of the assignment:
Résumé: This assignment is worth 50 total points.
_____ 25 Content. Applicant’s information is clearly expressed and is relevant. A persuasive case for applicant is present. General parts of a résumé are present.
_____ 15 Visual design. Résumé is aesthetically pleasing and easy to review.
_____ 10 Résumé is free of major errors in GSP. Note that even small errors will receive a significant penalty.
Total: ______/50
Application Letter: This assignment is worth 50 total points.
_____ 30 Content. Applicant clearly expresses desire for position. Demonstrates personality.
_____ 10 Format. Document is in block letter format.
_____ 10 Letter is free of major errors in GSP. Note that even small errors will receive a significant penalty.
Total: _____/50
Interview: This assignment is worth 50 total points.
_____ 20 Answers questions honestly and thoroughly. Carries on a two way conversation as opposed to a pure Q&A.
____ 20 Applicant displays appropriate body language.
_____ 10 Applicant asks legitimate and thoughtful questions.
Total: _____/50
Cumulative Total: _____/150
Instructor comments:
“Whodunit? The Media?” Workshop
Name_____________________________________________
ENG 101 Essay Analysis
Because we will all be writing smart, creative and argumentative research papers, it’s a good idea to start reading selections from our textbook rhetorically and analytically. That means considering not only what an author says, but also how he or she constructs that message.
In your position papers, nearly all of you lamented about the emphasis placed upon memorizing facts, much to the detriment of critical thinking and the practical application of concepts.
Well, you asked for it.
Use today’s reading as the example to illustrate the concepts about writing that we’ve read and discussed in class up to this point. This must be completed in class and turned in for participation/attendance. Additionally, if you like, I will replace a quiz grade with this.
In small groups review Cutler’s essay “Whodunit—The Media?” and consider the following:
1. Rhetorical Situations: What is Cutler’s purpose, stance, genre? Who is her audience (ch 1)?
2. On a separate piece of paper, create a traditional outline or a cluster/map for the essay. This asks you to summarize/synthesize main ideas and supporting ideas.
3. How does Cutler begin and end? Which of the techniques from the textbook (p 261)? Additionally, how does she transition between ideas?
4. We spent a class discussing types of arguments (definition, cause/effect, proposal, evaluation). Review class notes, web posts, and chapters 32-35, and determine what types of arguments Cutler presents giving examples from the essay.
5. What types of sources does Cutler use? Primary? Secondary? How does she use them? (288-293; 384-403).
6. How does Cutler develop her claims/points using examples and evidence (288-293)?
Literacy Narrative Prompt
ENG 101: Composition I | Dean Blumberg | Fall 2011
Assignment: Literacy Narrative
Format: 12 pt, Times New Roman, 1” margins, MLA style heading (see textbook)
Length: 4 full pages minimum
Due Dates: 2 copies of draft for 9/6; final emailed to instructor no later than class time 9/13
Resources: Norton Field Guide 29-37
Rubric: See website
Pre-Writing: In my experience, students generally enjoy this assignment because it asks them to tap their creative kegs and unleash their ideas in whatever manner suits them. Your task is simply to tell a good story (actually, this is much harder than it seems). To begin you will need to first think about what makes a good story. Freewrite for 10-15 minutes writing about what you find to be the elements of a good story. Think about friends or family members that are particularly good at storytelling. What do they do that makes their stories enjoyable, compelling, heart-wrenching, captivating, etc?
Topic: Your topic for this narrative is pretty vague and open to interpretation—it should deal in some way with language and/or literacy. In addition to Marjorie Agosin, Richard Bullock and Shannon Nichols (NFG 21-27), I would consider both Bragg’s “All Over but the Shoutin’” and Tan’s “Mother Tongue” narratives that explore the significance and importance of language in a specific situation. I’d like for your story to be grounded in real life experiences, but it may be enhanced with fiction as you see fit.
A slightly more typical approach might explore literacy (however you’d like to define the term), or the acquirement of language use. We are all literate in many different kinds of languages and your narrative may be the story of how you learned a specific discourse.
There are many possibilities for this narrative and you have the freedom to write whatever you like so long as it tells a story and language/literacy is a significant theme.
Collaborative Project: TheDigitel Myrtle Beach

To: ENG 155 Students
From: Professor Blumberg
Subject: TheDigitelMYR: Audience/Site Analysis & Collaborative Web Post
Due Date: See Weekly Schedule
The following memo outlines the series of tasks related to your next assignment. Working in groups of four, you will complete the following:
- Prepare a formal document that contains an audience analysis AND a website analysis of TheDigitel Myrtle Beach
- Create and post new content OR considerably update/add to existing content on TheDigitel Myrtle Beach website, including rich media (links/photos/video) .
- On the day the group assignment is due, you will conduct a review of your teammates. This review will be done in class and is not shared among the group. This is to ensure that all team members took part in the assignment.

PART 1—Analysis: Your memo is to be presented to Dean Blumberg, a supervisor employing your team to conduct an analysis of TheDigitel Myrtle Beach’s audience AND the website itself.
Before you begin, apply the concepts learned in chapter 2 as you create a shared goal, divide tasks, and determine how to best work as a team.
First, you will gain experience constructing a document using audience analysis techniques (pg 91-101). Review all sections of the website to gather observations and information. Next, develop a detailed audience profile (pg 93-94). Be sure to support your analysis with material/information gained from the website.
Secondly, you will apply concepts in chapters 1, 4, 5 and 6 to analyzing TheDigitel Myrtle Beach’s organization/layout, tone, style and visual design as well as their use of Business Communication 1.0 and 2.0 methods. This part of the analysis asks for you to evaluate the site’s presentation and to describe what is effective and ineffective, as well as what could be revised or enhanced.
Format Note: Instead of writing a single document with one shared voice, feel free to employ a “collage approach,” or one that pieces together different voices and different sections. The collage is also helpful for showcasing the different ideas that may exist about TheDigitel design or its audience among the group.
Additionally, you will need to document the sources that are used to gather any information about your audience. Documentation need not be scholarly. Document these sources by simply stating in the introductory paragraph of your audience analysis where you obtained for information. You need not follow a particular institution’s citation guidelines, but I will check the document for plagiarism.
PART 2—Create or Add to www.myrtlebeach.thedigitel.com
After you’ve thoroughly reviewed and analyzed the website, join the Open Community: http://myrtlebeach.thedigitel.com/oc.
Although you’ve probably come to understand the site’s writing tone, style and purpose, review the writing style guide, which provides detailed instructions about how to create, document and use media “TheDigitel way.” Following the posting guidelines is extremely important, not only for uniformity and clarity’s sake, but for ethical and legal reasons as well.
Your group is responsible for one significant contribution whether it is a new post or an update to an existing post. Although anything relevant to the Myrtle Beach and surrounding area is relevant, I’ll provide groups with some local events/topics that may make good posts. You can find these topics on the class Wiki under a page titled “Group Project #1.”
EVALUATION
Format Requirements: Memo format required for this assignment (see Figure 1.10 p. 26 in your text). Purpose of memo and sources (if any used) must be clearly stated in first paragraph. Document must be typed. One document per group will be turned in with all team member names listed on the “From” line.
Rubric: This assignment is worth 100 total points.
_____ 40 Memo Content. Information is clearly expressed in paragraphs and is relevant to audience analysis requirements.
_____ 10 Memo format/Visual Appeal.
_____ 10 Memo is free of major errors in GSP.
_____ 30 Post to TheDigitel Myrtle Beach is relevant and adheres to the site’s principles and guidelines (see writing style guide).
_____ 10 Self-review done in class. Here you will demonstrate how you contributed to the completion of the assignment and assess your team members.
ENG 155 Syllabus
Professor Dean Blumberg
Office: 700 building room 703/Conway Campus
Office Hours: MW: 11-12; 1-2; TR: 1230-130; F 930-1130
Email: dean [dot] blumberg [at] hgtc [dot] edu
Phone: 843-349-5335
Rationale: Executives from all levels and types of professional establishments list the ability to communicate as the most important factor in job success. By teaching the forms of oral and written communications demanded by modern businesses and technologies, this course will help prepare the student for the work force.
Course Description: Business Communication is an introduction to the principles of business and professional writing and speaking through practice and development of communication skills.
Prerequisites: A score of 70 on the COMPASS – or – a verbal score of 400 on the SAT or satisfactory completion of the LSC programs in Reading and English.
Materials: Thill & Bovee. Excellence in Business Communication. Ninth Edition.
Course Policies and Grading Procedures
Academic Integrity: Plagiarism is as serious an offense as exists within an academic environment. Plagiarism, cheating, collusion, falsification of information, or any other form of academic dishonesty will not be tolerated and will result in discipline including, at the very least, a zero on the assignment in question, and up to failure in the entire course and possible probation or expulsion from the College. Anyone guilty of plagiarism, cheating, collusion, or falsification of information will be reported to the Vice President of Student Affairs, Greg Thompson, for possible further penalties beyond that which is levied within this class. This is your warning.
Attendance: Regular attendance is essential in all writing and communication courses. The maximum number of absences a student may accumulate without being withdrawn from this course is five, beginning with the first class period. There is no distinction made between an excused or unexcused absence. Roll will be taken daily within the first minutes of class. Being more than 10 minutes late to class constitutes an absence. Being late three times constitutes an absence.
Late Work: Work is due by class time on the indicated date. Late work is worth 1/2 credit and must be submitted within 48 hours of the original due date. Assignment turned in after 48 hours will not be worth any credit. Missed presentations, tests, interviews, or speeches may not be made up without written documentation explaining an extenuating circumstance (death in the family, severe illness, etc).
Class Decorum: Keep in mind that college is a place to think, to consider, and to debate, and to this end, we will have many class discussions regarding the content of pieces that we read and relevant topics. I hope that each student thinks of class as an open forum, a place where you may share opinions without feeling intimidated. However, it is very important that we respect and consider the feelings of others as well. Therefore, please treat your classmates and me the same way you wish to be treated: pleasantly and respectfully, regardless of the topic being discussed.
Additionally, in order to help maintain the appropriate learning environment please observe the following:
- No technologies out and/or in use not related to class (cell phones, mp3 players, etc.)
- Please do not bring children to class
- Sit near a door if you need to leave early
- Take a seat closest to the door if arriving late if possible.
Technology Requirements: This class will be mostly paperless. Nearly everythign you need will be posted on www.deanblumberg.com under our course section. While some class time may be provided for computer literacy instruction, if you need additional support you may use the SSTC in the 1100 building. Additionally, the instructor will frequently make use of and additional online resources like wikis, so access to internet is imperative.
It is strongly suggested for students to have a flash drive on which to create, transport, and save their work, or to use an online repository like Dropbox. Always keep electronic copies of all work you produce for this class. Some assignments may require revision and re-submission; therefore, premature deletion of files can be harmful.
Grading Policy: All written assignments will be evaluated according to the following criteria: Organization, Content, and Grammar, Spelling and Mechanics (GSP).
Standard Grammar: English 155 is a college course. Significant problems with grammar and standard usage should not occur at this level. Extensive tutoring to rectify grammatical weaknesses will be needed if substantial errors are present. Work in the Writing Center will be recommended. Excellence in Business Communication also covers grammar and mechanical issues that we may not review as a class whole. Significant errors in sentence structure, punctuation, or standard grammar will prohibit a formal assignment from receiving a passing grade.
Evaluation Standards: Business writing should be clear, concise, accurate, correct, coherent and diplomatic. If any or all of these qualities are lacking, the reader may be misled, offended and/or misinformed. In this case, a poor decision could be the end result, and a poor decision in business or industry could and often does cost money.
The writer in business and technological fields is responsible for what he or she produces, and inevitably reflects upon the company. Most people who have not entered the work force themselves believe that an administrative assistant exists to correct all errors in spelling or grammar; however, this is not always the case. Once an employee signs or initials a piece of writing, a form of approval has been granted, and the writer has indicated that everything in the piece is acceptable.
In English 155 students will be evaluated from a professional perspective; this is to say that the teacher will act as a manager or a supervisor would. In regard to grades, the following criteria will apply:
A The manager would be very impressed with the exceptional quality of the work and remember the work when a promotion is discussed.
B The manager would be satisfied with the work but not necessarily impressed.
C The manager would ask the employee to revise and/or edit particular sections before allowing those outside the department to see it.
D The manager would be troubled by the poor quality of the work.
F The manager would start looking for someone to replace the employee.
Assignment Breakdown:
- Application Portfolio (10%)
- Mock Job Interview (10%)
- Group Assignment Audience Analysis/Project (10%)
- Routine and Positive Letter (5%)
- Negative News Letter (5%)
- Persuasive Letter (10%)
- Career Report and Presentation (20%)
- Test #1 (10%)
- Test #2 (10%)
- Other/Class Participation (5%)*
- Business Culture Summary (5%)
HGTC uses a ten-point percentage scale for grade calculation: 90-100= A; 80-89=B; 70-79=C; 60-69=D; 59 or below=F.
Extra Credit: Don’t ask. Won’t happen.
English 102: Composition II / Fall 2011
Instructor: Dean Blumberg, Associate Professor
Office: Conway Campus, 700 Building, Rm. 703
Phone: 843-349-5335 (office)
Email: dean [dot] blumberg [at] hgtc [dot] edu
Office Hours: MW: 11-12; 1-2; TR: 1230-130; F 930-1130
PURPOSE: The overall purpose of ENG 102 is to enable students to make their own informed critical evaluations. The students will learn to read and interpret literature analytically, and will develop their interpretations in writing well-supported critical essays and at least one researched paper. In addition to effective communication, analytical skills are essential for success in college and in all career fields.
RATIONALE:
1. The study of literature helps students develop sensitivity to the power and potential of language. It increases their awareness of the need for precise description, vivid expression and clear definition in all communication, including their own writing.
2. Literary analysis provides students with an opportunity to develop and exercise critical thinking skills. Students will discover that the analytical skills employed in literary criticism are demanded in other academic subjects and in their professions.
3. A study of literature provides a range of viewpoints to increase the student’s perspective and exposes the student to the finest expressions of human imagination. Einstein said “Imagination is more important than knowledge.” The exploration of literature provides the student with an understanding of the value of imagination in all human endeavor–and encourages them to use their own.
COURSE DESCRIPTION:
ENG 102 is a college transfer course which introduces students to the critical study of literature. The student will develop critical interpretation skills through frequent writing assignments. Academic research skills will be developed through at least one documented paper.
Prerequisite: English Department Policy requires that students taking English 102 have earned a grade of “C” or better in English 101.
Required Materials:
Kirszner, Laurie G. and Stephen R. Mandell. Literature: Reading, Reacting, Writing. 7th ed. Boston: Wadsworth Cengage, 2010. Print.
McCarthy, Cormac. The Road. New York: Alfred A. Knopf, 2006. Print.
You may need an MLA style guide, such as the Brief Holt Handbook or The Easy Writer, or alternatively, guidelines provided by the Purdue OWL (online writing lab) website, which happens to be a phenomenal resource.
Libraries: HGTC’s library subscribes to a number of excellent research databases, many of which we will be using throughout the course of the semester. Students should also be aware that any current HGTC student has full borrowing privileges at Coastal Carolina University’s Kimbel Library as well as at HGTC. A CCU library card could prove quite worthwhile as it may help with research assignments in English courses and beyond.
Attendance Policy: Attendance and participation is extremely important. Excessive absence will result in immediate withdrawal from this and other classes at HGTC. The maximum number of absences a student may accumulate without being withdrawn from this class is five, dating from the first class period. Please understand that there is no distinction made between an excused and an unexcused absence; anyone exceeding three days is withdrawn (receiving a grade of W or WF) in accordance with College policy.
If a class session is missed, you are responsible for determining what needs to be made up. It would be a good idea, for this reason, to get the phone number or e-mail address of at least one classmate in order to have a contact should an unavoidable absence occur. Class participation in a composition class often, however, cannot be duplicated if a class is missed—e.g. peer feedback sessions, group discussions, etc. Attendance will be taken daily. You are responsible for being on-time and present, both mentally and physically, in order to be counted present.
Participation: Students are expected to fully participate in the intellectual activities of the course. Participation will be measured through class discussion, workshop participation, class activities, and/or online activities. The course is designed to stimulate interaction between students, which necessitates regular attendance and participation for two reasons: 1) to listen to the ideas of other members of the class, and 2) to voice ideas for the benefit of the class. If a student misses class, she cannot expect always expect to “get notes” from another classmate or otherwise “make up” the work because the social dynamic of the class period cannot be reconstructed. Quizzes and tests will be given more frequently if students are not participating in class discussion or reading assigned material.
Class Decorum: Keep in mind that college is a place to think, to consider, and to debate, and to this end, we will have many class discussions regarding the content of pieces that we read and relevant topics. I hope that each student thinks of class as an open forum, a place where you may share opinions without feeling intimidated. However, it is very important that we respect and consider the feelings of others as well. Therefore, please treat your classmates and me the same way you wish to be treated: pleasantly and respectfully, regardless of the topic being discussed (also, be aware that I will often play devil’s advocate).
Noisemakers: Cell phones should be set to vibrate or turned off during class time. Likewise, texting in class is inappropriate and rude and may be grounds for being marked “absent.” Inappropriate use of computers in class follows a similar policy.
Additional Requirements, Policies, and Evaluation Criteria:
- All drafts of each paper must be completed on time in order to receive full credit.
- You must participate fully in peer workshop sessions in order to receive full process credit.
- In this classroom, you may hear, see, or read some thought-provoking ideas. Please give them your utmost courtesy and consideration.
- Completing and reflecting upon the reading assignments are crucial to your success.
- Quizzes will be used to determine how well the class is doing with the reading.
- You may use a laptop in class so long as it is used for class. If you are using it for non-classroom activities, you will not receive credit for the class and will be marked absent.
- Excessive tardiness may result in being marked as absent; be on time.
Course Website: In order to conserve paper and cut down on printing costs for you and me, this course will rely heavily upon a class website located at www.deanblumberg.com. I will use this website to post the syllabus and schedule, assignments and paper prompts, resources and links, and other helpful materials. The website hosts separate pages for each section as well as a master calendar for all sections.
Standard Grammar: English 102 is a university-transfer course. Significant problems with grammar and standard usage should not occur at this level. Extensive tutoring will be needed if substantial errors are present. Significant errors in sentence structure, punctuation, or standard grammar will prevent a formal essay from receiving a passing grade. HGTC has a writing center and offers one-to-one tutoring services.
Assignments and Percentages: HGTC uses a ten-point scale for grade calculation.
Workshop Participation/Engaging in Discussion = 10%
Poetry Essay = 15%
Character Analysis = 20%
Critical Film Review = 15%
Short Writing Assignments/Quizzes = 20%
Researched Thematic Essay = 20%
Note on written work: All written works for this class must be typed and double-spaced, using 12 pt Times New Roman with 1” margins. All essays should follow MLA guidelines.
Late Policy: Late assignments will be worth half credit. I reserve the right to not accept any assignment more than three days late. Two exceptions: I will not accept any late research papers. If you will be absent, please find a way to get me your work ahead of time.
Quizzes: I may elect to give quizzes on the readings and class discussions/lectures if I feel that the assigned work is not being completed by all students satisfactorily. In the event that I do give quizzes, they will count towards your Participation grade. The best way to avoid quizzes is to complete the assignments and participate in the class discussions. Reading quizzes cannot be made up; however, I will drop your lowest quiz grade and allow you one alternate assignment to replace a missed quiz.
Academic Integrity: Plagiarism is as serious an offense as exists within an academic environment. Plagiarism, cheating, collusion, falsification of information, or any other form of academic dishonesty will not be tolerated and will result in discipline including, at the very least, a zero on the assignment in question, and up to failure in the entire course and possible probation or expulsion from the College. Anyone guilty of plagiarism, cheating, collusion, or falsification of information will be reported to the Vice President of Student Affairs, Greg Thompson, for possible further penalties beyond that which is levied within this class.
Submission of an essay which has been proven to be directly copied from the internet or otherwise will result in implementation of the disciplinary process which is detailed in the current HGTC Catalog and Student Handbook under “Student Code”: IV. B. Academic Misconduct (51-52).
Special Accommodations: Horry-Georgetown Technical College believes all qualified students should have the opportunity to access and succeed in higher education. To that end, the College partners with students to provide reasonable accommodations and academic adjustments for students with documented disabilities who self-identify as having a need for such services.
All services to students with disabilities are provided in accordance with and are subject to the requirements and stipulations set forth in applicable State and Federal guidelines, regulations and laws. Contact Laura Milling for more information at laura.milling@hgtc.edu.
The Writing Center: No, there’s no extra credit for going, but I’d wager your grade would benefit from a visit. There is a center on each HGTC campus. The Conway center is 1100C Room 230 and the phone is (843) 349-7872. The Grand Strand center is located in 200GS Room 230 and their phone is 843-477-2113.
Test 1 Study Guide
Test 1: Chapters 1-3
If you know these topics, the bold keywords associated with them, and the concepts discussed in class, you will be well prepared for this test. It is graded out of 100 points with 2 points for your name. There are 18 multiple choice questions worth 2 pts a piece (36 pts); there are 9 short answer questions that are 4 or 5 pts a piece (38pts); there is one multipart essay worth 24 pts that deals with effective writing, giving constructive feedback and multicultural audiences.
Business Communication 1.0 vs 2.0
Effective vs. Ineffective Teams
Types of Listening
Listening Process
Wikis
Team Evolution
Constructive Feedback
Team Roles
Group Dynamics
Planning a Group/Team Meeting
Formal vs. Informal Communication Networks
Non-verbal communication
Ethnocentrism/Xenophobia/Cultural Pluralism
You vs Me communication
Recognizing Effective Communication
Social Differences
The Communication Process
Ethics
Diversity
Intercultural Writing
Types of Defamation
Test 2 Study Guide
Test #2 Study Guide: Same format as Test 1 (18 multiple choice, 9 short answer, 1 multiple part essay)
Key Concepts
Stages for composing business messages-review these thoroughly (planning, writing, completing)
Connotative vs. Denotative meanings of words; Concrete vs. Abstract
General vs. Specific Purpose
Types of messages (Routine and positive, negative, persuasive)
Types of bias
Audience analysis techniques
Style, tone, scope
Establishing credibility
Parallelism
Font/Typeface; Serif vs. Sans Serif
Visual Appeal
Revising for Clarity; Table 6.2
Revising your message
Direct vs. Indirect approach
Rich vs. Lean Media
Paragraph structure and development
Essay requires drastic revision of a poor message that considers audience and revising for conciseness and clarity (review chapter 6 and look at examples and tables).
Research Proposal

As you work your way through college, you may be called on to write a research proposal. A research proposal outlines what you want to write about. It introduces the topic generally, its significance, and focuses on a handful of specific, interesting questions. Your proposal will also have a reading list which mentions the potential sources that address your topic. (While this will require you to do some preliminary research for primary and secondary sources, it shouldn’t require you to do much reading at this point).
Research Proposal:
- Your research proposal should include your thesis questions (what we’ve been doing in class and with the “question draft”). You are not bound to stick to this research question or statement when you write the paper, but it’s helpful to have an initial perspective when you begin. As you write and do more research, you may find yourself needing to adjust your focus/thesis. That’s fine. But you do need to have a clear and working thesis-driven question in your research proposal.
- Your research proposal should also include a statement of why your research is important. Why are you writing this? Why should we care about your research? What sorts of enlightening things are you going to tell us about when you write your paper?
- Your research proposal should include a brief summary of the preliminary sources you’ve encountered thus far. Here, you need to talk a little about the sorts of things your sources are writing about your topic. You don’t need to go too in depth here. Just give us a brief overview of the current trends and attitudes toward your topic.
I would also like to see a tentative reading list/bibliography, especially in the final draft of your proposal. This should be broken down into two lists, one for primary sources and one for secondary sources. If you have a doubt about which is which, please consult The Norton Field Guide or ask me.
Reading List/Bibliography Guidelines:
- Your bibliography needs to include at least six potential sources (I’d like you to have at least 2 primary sources, but more is welcome). Primary sources are the “raw” data like reports, surveys, or historical documents and field materials like observations, interviews, etc. For example, if your topic is something to do with factory farming, primary sources would be farm products in grocery stores (their packaging, labels, artwork), the USDA guidelines and press materials, excerpts from the Farm Bill, or trip to the Horry County Farmer’s Market for interviews.
- Secondary sources are others’ critiques/opinions on a given subject. Don’t read too much of this now, but generate a list of good secondary sources for the future. Try to keep secondary sources limited to critical mediums: journals, scholarly books, and websites that offer rigorous analysis. You should mainly use the library catalog and databases for secondaries. Opposing Viewpoints in Context, JSTOR, Academic Search Premier are good places to find secondary sources on general topics.
- Your reading list needs include the author, title, date and type of source. While I want you to adhere to proper MLA in your final paper, an organized and clear indication of your sources is suitable. You may need to reference The College Writeror the Purdue OWL website for guidelines on MLA formatting for your work later on.
SAMPLE PROPOSAL
Obesity has recently been termed an epidemic in the United States. However we are now seeing children facing obesity-related issues such as heart disease, high cholesterol and diabetes. Childhood obesity affects a child and a family’s quality of life, and may result in substantial health-related resources and additional health-related costs. During my childhood, I didn’t have the electronic devices that children today have. Instead of playing video games and watching television, I would play outside with my brother and sister, partaking in what is now seen as vitally important exercise for healthy children. Initiatives like NFL Play 60 and NBA Fit have radio and television commercials instructing kids to increase their mobility by playing games outside.
While many factors affect a child’s disposition for becoming obese, what role does modern technology play? How does technology affect childhood obesity? My cousin plays his video games every chance he gets; you can’t even talk to him while he’s playing because he’s so zoned in on his game. Last November he weighed 80 pounds. In December he got a Playstation 3 for Christmas, and this November he weighed 102! Are his video games to blame? Although I plan to look at technology in various forms, my main focus will be video and electronic gaming.
Interestingly, Wii and X-box have recently come out with motion-censored games that incorporate minimal to rigorous mobility depending on the game. The idea is to provide gamers with a more interactive experience with a game instead of just sitting on the couch. But do these games provide the exercise and movement needed to maintain a healthy lifestyle? Is it possible to develop technology that also helps children fight obesity? Also, although technology may be potentially responsible for childhood obesity, what are technology’s benefits?
Reading List:
Primary Sources:
“Fact Sheet No. 311: Obesity and Overweight,” World Health Organization (WHO), September 2006. (institutional report)
Nintendo Wii website and fitness games such as “Sports,” “Resort” and “Wii Fit.” (primary observations and game reviews)
Microsoft and Sony press releases about motion gaming via their website. (product website)
Hope M. Cummings and Elizabeth A. Vandewater “Relation of Adolescent Video Game Play to Time Spent in Other Activities,” Archives of Pediatric and Adolescent Medicine, July 2007. (medical report)
Secondary Sources:
Susan Levine and Rob Stein “Obesity Threatens a Generation,” Washington Post, May 17, 2008.
Barry Popkin The World Is Fat: The Fads, Trends, Policies, and Products That Are Fattening the Human Race. New York: Penguin, 2009. (book)
Aaron Levin “Video Games, Not TV, Linked to Obesity in Kids,” Center for the Advancement of Health, March 17, 2004. (journal article)
Meryl Davids Landau “Nine Reasons to Let Your Kids Play Video Games,” Redbook, July 2006.
Mikael Blaisdell “All the Right MUVEs: The Use of Computer Simulations That Appeal to Students’ Love of Video Games Has Shown Compelling Educational Benefits,” THE Journal (Technological Horizons in Education), September 2006. (journal article)
Research Paper Info and Schedule
The following is the sequence of projects for the rest of the semester. The research paper must be completed in order to pass this course.
- Exploratory/Question Draft (Due Date: TBD)
- Research Paper Proposal with Reading List (Due Date: Draft TBD; Final with Reading List TBD)
- Research Paper (Due Date: Included in Final Portfolio during Exam Period)
RESEARCH PAPER PROMPT
Format: 6 full pages of text minimum (excluding header and title) and 9 pages maximum; additional, separate page(s) for Works Cited in MLA format; double-spaced (1 inch margins, all sides); Times New Roman, 12 point font.
Sources: a minimum of three sources. *see below
Prompt: Your objective for this paper will be to present an original, well-researched perspective on a topic of your choosing. Your paper must make a claim or claims and have a clear thesis statement. Your paper should allow your voice, ideas, claims and observations to have a strong presence alongside all your sources. Remember, “They Say / I Say.”
*You will use only sources that a broad, objective audience would find reasonable (random websites come with a hefty dose of skepticism. Check NFG 400-403). Quality sources may be found within the databases to which HGTC subscribes; from strong daily newspapers or reputable magazines either in print or online; from a personal interview of a qualified figure; from an official government web site—just to name a few.
Internet-based articles, aside from specific government sites or versions of print periodicals fitting criteria of news magazines, should be approved (blogs, websites, etc can be good sources depending on how to plan to use them). No sources without an author credited will be acceptable without prior approval.
Film Review Prompt
Due: M/W class is due 11/2; T/R class is due 11/3
Requirements: An original film review of the film shown in class, 500-750 words minimum but no more than 1000 words, typed and double-spaced. You may use research if you like, but it is not necessary. You may use research for context (about the actors, director, time period, etc) or to respond to other reviews offering a different perspective.
Prompt: For this essay you will be crafting one of the most popular forms of literary criticism, the film review. Although many blogs, newspapers and websites will give capsule reviews or a simple thumbs up or down, the critical movie review is actually a short analytical essay that assesses a film by highlighting aspects like theme, character, cleverness of plot, etc.
Depending on the movie, it might also examine the use of music, camera angles, color and lighting. The formal review also typically considers historical and social context–is this movie characteristic of a certain genre, time, or culture?
Critical reviews can be difficult to write because like an acrobat, they must walk the fine line between descriptive objectivity of what the viewer sees and what the story is on one hand, and how and why the film is successful or unsuccessful on the other. Moreover, they must be fun and entertaining to read!
Obviously, a review can’t cover everything about a movie, so it is common to choose the elements that highlight the best and worst aspects of a particular work.
The best way to understand the genre that I’m asking you to write in is to read! Here are some excellent reviews to help you understand the style of this assignment:
A. O. Scott’s review of Limitless starring Bradley Cooper (via nytimes.com)
Ben Traver’s review of The Switch blu-ray starring Jason Bateman and Jennifer Aniston (via popmatters.com)
Todd Gilchrist’s review of Paul starring Simon Pegg (via cinematical.com)
Auto Draft
Week 1 (1/10-1/12)
Tue 1/10: In-Class: Introduction, syllabus, course expectations, what is literature and why should we read it?
Thur 1/12: Due: Read Literature: Reading, Reacting, Writing (LRRW from now on) 8-11 and17-21. Then read LRRW “Defining Poetry” 801-802; “Word Choice” 876-900. Pay particularly close attention to the poems by Whitman, Espaillat, Rich, cummings, Coleman. Take notes and annotate the poems.
In-Class: Poetry discussion. Interpretative diagram (rhetorical model, found above), basic approaches to literature.
Word Choice on Prezi

“Introduction to Poetry” by Billy Collins (pg 1138 in LRRW)
I ask them to take a poem
and hold it up to the light
like a color slide
or press an ear against its hive.
I say drop a mouse into a poem
and watch him probe his way out,
or walk inside the poem’s room
and feel the walls for a light switch.
I want them to waterski
across the surface of a poem
waving at the author’s name on the shore.
But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.
They begin beating it with a hose
to find out what it really means.
Also, a short-and-to-the-pointer, Gwendolyn Brooks’ most famous poem, “We Real Cool” (pg 896 in LRRW).
Week 2 (1/17-1/19)
***NOTE: AAST students (only sections P04 and P05) will not have class on 1/17; however, you are responsible for the material covered that day. Please be prepared to discuss all readings on Thursday.***
Tue 1/17 Due: Read “Voice” 838-839; “Figures of Speech” 923-926. Read slowly and aloud the following poems: “Roominghouses are old women” 926-927; “The Death of the Ball Turret Gunner” 931-932; and “Daddy” 938. Write a 1-2 response looking closely at the type of language present in either “Roominghouses,” “The Death of the Ball Turret Gunner,” or “Daddy” What kind of language does the poet use? What feeling, mood, or effect does the type of language create? Use terminology from the textbook when explaining your interpretation.
In-Class: Discussion. Key terms: speaker, persona, figurative vs. literal language, simile, metaphor. Explicating a poem: how do the poetic devices (the elements of poetry, like word order, sound, figurative language, etc) establish or reinforce a particular theme or mood in the poem. Hand out Poetry Essay prompt.
Thur 119: Due: Read slowly and aloud the following poems all by Langston Hughes: “I, Too” 1080-1081; “Song for a Dark Girl” 1081; “Theme for English B” 1082-1083; “Harlem” 924; “Dream Boogie” 1083-1084. Pick a question from the Reading and Reacting section on 1091 and type a response (1 full page) drawing specifically from the poems and your interpretations and experiences.
In-Class: Discuss Hughes; as a class we will read “Writing an Explication” 61 and the sample student paper 62-66. Also look at the section “Imagery” 905-906.
Refrigerator, 1957by Thomas Lux More like a vault — you pull the handle out |
Week 3 (1/24-1/26)
Tue 1/24: Due: Bring an outline of your essay in for in an class workday.
In-Class: Activity and in-class work day.
Thur 1/26: Due: Complete draft of poetry essay.
In-class: Peer Review/Workshop
Week 4 (1/31-2/2)
Tue 1/31: Due: Read slowly and aloud the following poems: “Barbie Doll,” “Red Wheelbarrow” 906; “In a station of the Metro” 907; “Constantly Risking Absurdity” 925; and “Dulce Decorum Est” 915-916.
In-Class: Discussion.
Thur 2/2: Read “Understanding Fiction” 162-171 and “Character” 254-256. Read the following stories: “Hills Like White Elephants” 171-175; “A&P” 259-264
In-Class: Introduction to fiction; group discussion; quiz

Supplemental Stuff: Here’s a challenging scholarly article by literary theorist and linguist James Paul Gee examining the language of W. C. Williams’ poetry. Although it’s a rather challenging read for introductory students (it’s written for literary critics well-versed in the terminology and theory of the discipline), there are passages that are consumable for a more general audience. Take a peek and see what you can make of it.
The Poetry Foundation website has a brief but detailed biography on Williams:
William Carlos Williams has always been known as an experimenter, an innovator, a revolutionary figure in American poetry. Yet in comparison to artists of his own time who sought a new environment for creativity as expatriates in Europe, Williams lived a remarkably conventional life. A doctor for more than forty years serving the New Jersey town of Rutherford, he relied on his patients, the America around him, and his own ebullient imagination to create a distinctively American verse. Often domestic in focus and “remarkable for its empathy, sympathy, its muscular and emotional identification with its subjects,” Williams’s poetry is also characteristically honest: “There is no optimistic blindness in Williams,” wrote Randall Jarrell, “though there is a fresh gaiety, a stubborn or invincible joyousness.”
You can read the full bio here.
A brief dogma from Ezra Pound to define the Imagist movement:
- Direct treatment of the “thing”, whether subjective or objective.
- To use absolutely no word that does not contribute to the presentation.
- As regarding rhythm: to compose in sequence of the musical phrase, not in sequence of the metronome.
Week 5 (2/7-2/9)
Tue 2/7: Due: Poetry essay. Read “Theme” 551-554, “Dead Man’s Path” 660-662 and this interview with Chinua Achebe.
In-Class: Reading Quiz. Discussion.
Thur 2/9: Due: Read “Setting” 305-308, “Point of View” 354-362, Raymond Carver’s “Cathedral” 526-537 and Joyce Carol Oates’ “Where Are You Going, Where Have You Been?” 617.
In-Class: Reading Quiz. Discuss stories and introduce character analysis essay.
Week 6 (2/14-2/16)
Tue 2/14: Due: Read Lahiri’s “The Third and Final Continent” 290-302, Wolff’s “Bullet in the Brain” 608-611, “Postcolonial Studies” and “American Multiculturalism” 2067-2071. Also read the textbook section on “Symbol, Allegory and Myth” 487-492.
In-Class: Discussion. Reading Quiz.
Thur 2/16:
In-Class: Tumblr/Character Analysis Workday
Week 7 (2/21-2/23)
Tues 2/21: Due: Flannery O’Connor’s “A Good Man Is Hard To Find” 447-457. Answer question #9 in 1-2 paragraphs (typed). It would be a good idea to start Oscar Wao (thinking ahead).
Continue working on Character Analysis.
Thur 2/23: NO CLASS; Start reading Oscar Wao. Continue working on Character Analysis.
Week 8 (2/28-3/1)
Tue 2/28: Due: read and print out (or bring digital version) of the following film reviews:
- A. O. Scott’s review of Limitless starring Bradley Cooper (via nytimes.com)
- Stephanie Merry’s review of The Vow (via washingtonpost.com)
In-Class: Discuss the review as a genre. Introduce Film Review.
Thur 3/1 Due: Completed draft of character analysis/Tumblr project (this should meet the assignments min. requirements for draft credit). Please bring in 2 hard copies of the essay component of the project for a workshop and a one-on-one conference with the instructor.
Week 9 (3/6-3/8)
Tue 3/6: Due: Character analysis project; Start Oscar Wao.
In-Class: Film screening (TBD)
Thur 3/8 Due: Continue reading Oscar Wao (I’d shoot to have completed at least the first 100 pages by today).
In-Class: Finish film; replay key scenes.
Week 10 (3/13-3/15) SPRING BREAK
Keep reading Oscar Wao.
Week 11 (3/20-3/22)
Tue 3/20: Due: Oscar Wao to pg 200 (the conclusion of Part I); type up 3 open-ended questions for book discussion (questions will be collected for a grade).
In-Class: Student-led discussion
Thur 3/22 Due: Continue reading Oscar Wao; bring in a draft of your film review for a workshop
In-Class: Film review workshop
ENG 102 Final Research Essay

DUE: Final Exam period
LENGTH: 5-6 pages (five full pages excluding name, date, title is minimum), 12 point Times New Roman, 1″ margins, stapled or clipped.
RESEARCH: four to six critical sources (quoted or paraphrased) are required. These sources may be in the form of literary criticism and/or articles and materials on topical issues from the databases.
PROMPT: Questions sometimes arise about the contemporary relevance of poems, stories, films and novels which are taught in literature classes. Editors, scholars and teachers suggest that “great” literature is taught in schools because it deals with “timeless” themes that can be applied across cultures and different historical periods.
For this essay, you will write an essay looking at what you consider to be a significant theme in The Brief Wondrous Life of Oscar Wao and examine the theme in the novel as it relates to the real world, as has been done in the example written below. You will formulate an original thesis and support that thesis by using primary source material (passages and paraphrased information from the story) and secondary material in the form of literary criticism and/or material related to the societal issue in the form of various resources, the most helpful of which will likely be materials from online databases to which the HGTC library subscribes.
This is the largest of the essay assignments in terms of relative weight of the grade (20% of the total).
GUIDELINES:
- 1. Please include a title for your essay. Within the introduction paragraph the name of the story and its author should appear.
- 2. The thesis statement for this paper is, as in any essay, the central focus of the entire paper. Please make certain that the thesis is specific, clearly worded, and factually accurate. It is typically stated near the end of the introduction.
- 3. All quoted material from the stories should include a parenthetical notation per MLA standards following the direct quotation. A works cited in MLA format should be placed at the end of the essay.
- 4. Secondary materials should be introduced with an attributive tag (According to Dr. Chip Arnold, a literature scholar and McCarthy critic) within the text. For the sake of your own credibility as a writer, an attributive tag allows your reader to understand precisely why you have selected the material and why they should take it seriously. As is the case in all academic work, the quality of a secondary reference may positively or negatively impact your message. Choose critical work most carefully.
- 5. Please feel free to see me personally for draft review and/or assistance.
EXAMPLE: Here is a brief example of an introductory paragraph which responds to this assignment.
This example focuses upon the theme issue of inequalities within the public education system and the negative effects children (and ultimately adults) suffer as a result of such a system, a theme present in the short story “Everyday Use.”

The featured story is Alice Walker’s “Everyday Use.” Here is the opening paragraph which includes the thesis:
A decade ago Jonathon Kozol’s landmark book Savage Inequality shed a light on inequities faced by poor children in American public schools. Since then, numerous writers, journalists, and researchers have reiterated Kozol’s idea that inequality in education can rupture the National fabric, ripping communities, neighborhoods, and families apart. One such family thus affected by inequities in education faced by the poor are the Johnsons of Alice Walker’s “Everyday Use.” One fortunate member of the Johnson family is anointed as worthy of an education–the others, however, are denied. The immense difference in these characters leads to a less than harmonious family. The interaction among the Johnson women in “Everyday Use” does indeed illustrate savage inequality in education.
Week 12 (3/27-3/29)
Tue 3/27: Due: Oscar Wao (at least up to Ch 6 of Part II–around page 260 or so)
In-Class: Discuss final researched essay project; explore possibilities; HGTC library resources
Thur 3/29 Due: Final draft of film review
In-Class: Explore databases and resources; Mini-conferences
Week 13 (4/3-4/5)
Tue 4/3: Due: One page mini-paper. I’d like a formal, typed proposal tells me the focus of your essay/possible thesis, where you plan to look for sources (if the library databases, then which databases). See the RESOURCES section of this website for some helpful videos and links.
In-Class: Library Work Day
Thur 4/5
In-Class: Library Work Day
ENG 101 Final Portfolio
Portfolio & Portfolio Letter
Due: Final Class (Late portfolios are not accepted)
Purpose: This course has been focused upon the writing process: brainstorming and invention, drafting, revision and subsequent drafting, and editing. In order to examine your writing process, you need to be able to look at the tangible products of your process as a whole (i.e. all of your collected work).
While you will be responsible for evaluating your writing process throughout the semester, I will also need to see all of your process work in order to evaluate how successful you were in developing your writing process this semester. It is important that you present every manifestation of your writing process in a single three-ring binder or organized files/folders in a zipped archive (.zip), clearly organized and labeled.
What You Need To Collect:
- Portfolio Cover Letter (more on this below)
- One three-ring binder OR .zip file
- All assigned short writings
- All reading response/freewrite/journal/homework writings
- Final copy of your research paper (I will read and grade this separately as well)
- All drafts of major papers* (Narrative, Position, Proposal, Research)
- Any other process work (freewriting, class notes, maps, random reminders for your drafting, etc)
- Any other materials relevant to your writing process
*A Note About Drafts: For your portfolio you will need to include one copy of each draft you have written for this class. Please place the most recent or final draft on top with previous drafts underneath (descending in order from most recent or final draft on top, to brainstorm and invention materials on the bottom). Drafts with comments are preferred.
Portfolio Letter: This brief letter (1-2 pages) will detail your development as a writer and thinker in this class. Think of this literally as a letter to your instructor, which means that the language must be formal and should be demonstrative of your command of the English language—grammar will count. Here are some areas I’d like you to address:
- Introduce your collection of writing.
- What have you learned about yourself as a writer? (When answering, please refer to specific materials in your portfolio that demonstrate it)
- What changes did you make between drafts and why? (Again, please give specific examples from the material in your portfolio).
- Any other relevant observations/thoughts
This letter will be the first piece of writing that I will read in your portfolio; what is written will impact how the rest of the writing will be received.
Week 1 (ENG 101 C03) 1/9-1/12
Mon. 1/9/12
- What you need for class:
- What we will be doing: intro diagnostic assignment
- For next time: Read The Norton Field Guide (NFG from now on) pages 1-17; Pick one short piece of typed writing (newspaper article, short story, advertisement, blog, song, etc.) and analyze it rhetorically (read your textbook!) in a one-page typed response. Bring this to class and be prepared to share it!
Wed. 1/11/12
- What you need for class: piece of writing and journal entry.
- What we will be doing: syllabus (bookmark this); discussing rhetoric and sharing first writing assignment.
- For next time: Read NFG 21-37 on literacy narratives; Amy Tan’s “Mother Tongue” 564; Rick Bragg’s “All Over But the Shoutin’” 153. Write a 200 word reaction to either of the pieces considering some of the concepts presented in 21-37.
Week 2 (ENG 101 C03) 1/16-1/18
Mon. 1/16/12
- NO CLASS. www.mlkday.gov
Wed. 1/18/12
- What you need for class: Response to either Tan or Bragg.
- What we will be doing: Defining Literacy; Discuss Tan and Bragg; Assign literacy narrative
- For next time: Read Malcolm X’s “Literacy Behind Bars” 577; Alison Bechdel’s “The Canary Colored Caravan” 583; Begin brainstorming/drafting your literacy narrative.
Week 3 (ENG 101 C03) 1/23-1/25
Mon. 1/23/12
- What you need for class: Due: First two typed writing assignments; Malcolm X’s “Literacy Behind Bars” 577; Alison Bechdel’s “The Canary Colored Caravan” 583; Begin brainstorming/drafting your literacy narrative.
- What we will be doing: Discussion; NFG 343-351 on Narrating; Description activity; prepare for workshop next week
- For next time: Complete first draft of literacy narrative
Wed. 1/25/12
- What you need for class: 2 copies of Literacy Narrative
- What we will be doing: Workshop
- For next time: Read NFG 278-282 on Cause/Effect and 283-293 on Argument. Considering what the book says about visual rhetoric, bring in a visual text (advertisement, magazine cover, dvd case) that you feel conveys a strong argument. Write a 1.5 – 2 page response considering the rhetorical components: author, audience, purpose, language, context, design, stance, etc.
Week 4 (ENG 101 C03) 1/31-2/2
Mon. 1/31
- What you need for class: Read NFG 278-282 on Cause/Effect and 283-293 on Argument. Visual text to share with class
- What we will be doing: Types of arguments/claims; Claims vs. Facts
- In-class stuff: Aristotelian argumentation. SNACKS: Wikipedia entry for snack tax, also known as “fat tax.” USDA report on modern snack tax legislation, helpful website that aggregates snack tax studies and includes recent definitions. A 2010 CBS poll on junk food taxes and a report the World Health Organization (WHO) published on fiscal policy, health and diet.
- Rick Berman on The Food Channel
- For next time: Read NFG 294-299; 315-321; Nicholas Carr’s “Is Google Making Us Stupid?” 961; Consider the many different arguments/claims in Carr’s piece. Be prepared to talk!
| The Daily Show With Jon Stewart | Mon – Thurs 11p / 10c | |||
| Immigrant Disease | ||||
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Wed. 2/2
- What you need for class: Smart observations on Carr’s essay.
- What we will be doing: Discussion; Assign Textual Analysis (formerly titled Position Paper)
- For next time: Read this over the next assignment and choose a text to analyze. Begin working on precis.
Week 5 (ENG 101 C03) 2/6-2/8
Mon. 2/6
- What you need for class: Selected essay for Textual Analysis.
- What we will be doing: Student Sample: Textual Analysis; Discuss Quoting vs. Paraphrasing (MLA style)
- For next time: Finish summary/precis; Read They Say, I Say 3-27; 55-67
Wed. 2/8
- What you need for class: Summary/Precis of article
- What we will be doing: Work day on Precis/Textual Analysis
- For next time: Final draft of Literacy Narrative; Progress on draft of Textual Analysis
Week 6 (ENG 101 C03) 2/13-2/15
Mon. 2/13
- What you need for class: Due: Final draft of Literacy Narrative; Progress on Textual Analysis
- What we will be doing: Review MLA in-text citation; Introduce MLA Works Cited (Resources: Norton Field Guide MLA section and Purdue OWL website); Review Textual Analysis Rubric and Worksheet; Work on draft of analysis for Wed. workshop.
- For next time: Textual Analysis Draft Workshop
Wed. 2/15
- What you need for class: Draft of Textual Analysis (must have 2 hard copies)
- What we will be doing: Workshop using Textual Analysis Rubric and Worksheet
- For next time: Read NFG “Just Be Nice” 671-675; “Anti-Intellectualism…” 691-695
Week 7 (ENG 101 C03) 2/20-2/22
Mon. 2/20
- What you need for class: Read NFG “Just Be Nice” 671-675; “Anti-Intellectualism…” 691-695
- What we will be doing: Discussion and MLA style
- For next time: Revise textual analysis. No class meeting (see below).
Wed. 2/22
I will be presenting at the Two-Year College English Association’s conference in Virginia, so today’s class is cancelled. Please continue to work on your textual analysis papers You are most likely done with higher order concerns (HOCs) and can now focus on lower order concerns (LOCs) such as grammar, punctuation, word choice, and MLA formatting.
For next time: Your final draft of the textual analysis essay will be due on Monday 2/29. Also, read “Finding and Evaluating Sources” 384-403 in NFG. Reading quiz???
Getting Started: Exploratory Question Drafts
Prompt: To get you thinking about your research paper, I’d like you to generate a list of questions related to topics that interest you. To get the project off to a strong start I’ve asked you to compose an exploratory draft, or a “question draft.”
You aren’t yet making arguments, thesis statements or even reading sources. You are just thinking of interesting topics based off what you know and perhaps some preliminary research (i.e. quick web searches, wikis, or just browsing article titles or book chapters).
Some things to keep in mind regarding your exploratory draft:
- The exploratory/question draft should focus upon questions related to your issue that you are interested in researching.Try to generate about a dozen questions which go in many different directions with your potential areas of study at the center.
- The purpose of this writing exercise is to find more specific avenues of study. For example, if a topic that interests you is Motown music you could ask: How has Motown music influenced contemporary genres? How did the Motown record label affect the record industry of the time? Did Motown music influence/challenge/change white culture? What was the political climate of Motown? How is the women’s movement represented in Motown music? The point is to generate potential arguments/positions to explore. Preliminary research may be helpful for some of you.
- Reminder: A research paper is not a book report. You will be making claims, drawing conclusions and demonstrating critical and analytical thought. But you won’t have a position or arguments just yet, so don’t worry. However, asking questions likes the ones above ask you to go further than just presenting what others have said, they ask you to prove something or convince the reader of something.
Please bring a copy of a one-page exploratory draft to class.
Week 8 (ENG 101 C03) 2/27-2/29
Mon. 2/27
- What you need for class: Read Finding and Evaluating Sources 384-403
- What we will be doing: Finding and Evaluating Sources 384-403; Discuss the components of the final project: Research Paper Info and Schedule; an overview of the exploratory Question Draft; and the formal Proposal and Reading List.
- For next time: Question Draft
- What you need for class: Due: Final draft of Textual Analysis; Question Draft
- What we will be doing: Discuss the components of the final project: Research Paper Info and Schedule; an overview of the exploratory Question Draft; and the formal Proposal and Reading List.
- For next time: Narrow focus and begin your proposal; read NFG Maggie Cutler’s “Whodunit?–the Media?” (684)
Week 9 (ENG 101 C03) 3/5-3/7
Mon. 3/5
- What you need for class: Have read NFG Maggie Cutler’s “Whodunit?–the Media?” (684); Materials related to your proposal
- What we will be doing: Discussion; Creating Keywords, search terms, exploring databases
- For next time: Draft of proposal; evidence you’ve begun a reading list
- What you need for class: Draft of proposal
- What we will be doing: Workshop; mini-conferences
- For next time: Read sample student essay. Print or bring electronic version to class.
- Here’s a worksheet based on “Whodunit?–The Media?”
Week 10 (ENG 101 C03) Spring Break
3/12-3/14 Spring Break
Week 11 (ENG 101 C03) 3/19-3/21
Mon. 3/19
- What you need for class: Copy of this student essay
- Make-up: Here’s the worksheet based on “Whodunit?–The Media?” for those who would like to replace a quiz grade. Please complete and bring to next class.
- What we will be doing: Discussion; Exploring Online Databases (if we have not covered this already;
- For next time: Final Draft of proposal with reading list
Wed. 3/21
- What you need for class: Final draft of proposal with reading list
- What we will be doing: In class we will read Alina Tugend’s “Multitasking…” 653-657. Then you will write one of the following: a brief summary of the piece; an effective paraphrase of a passage; a quote from the text with an attributive lead-in and follow-up sentence. This is practice for your research paper.
- For next time: Bring in two sources from your reading list.
Week 12 (ENG 101 C03) 3/26-3/28
- What you need for class: Two “long read” sources from your reading list (this will be checked off for a participation grade)
- What we will be doing: Reading, annotating, evaluating
- For next time:
Wed. 3/28
- What you need for class: Research project sources
- What we will be doing: Library or in-class workday
- For next time:
Week 13 (ENG 101 C03) 4/2-4/4
Mon. 4/2
- What you need for class: Research project sources
- What we will be doing: Library or in-class workday
- For next time:
Wed. 4/4
- What you need for class: Introduction and thesis statement to your paper (about 2 paragraphs)
- What we will be doing: Class workshop; drafting
- For next time:
Week 1 (ENG 155 C03) 1/9-1/11
Mon. 1/9/2012
- What we will be doing: intros, syllabus (bookmark this), rhetorical situation, assign diagnostic memo.
- For next time: finish chapter 1; complete diagnostic; submit it to me via email by the start of class on Wed.
Wed. 1/11/2012
- What you need for class: finish chapter 1; completed diagnostic sent to instructor via email.
- What we will be doing: discuss chapter 1; communication and rhetoric; technology: the good and bad
- For next time: read chapter 2; add to the wiki (drop-down menu under course link on website): first create an account and request access (see second video), then head to the Web 2.0 examples page on the wiki and add content.
Week 2 (ENG 155 C03) 1/16-1/18
Mon. 1/16/12
NO CLASS: www.mlkday.gov
Wed. 1/18/12
- What you need for class:have read chapter 2 and added to wiki (see video below)
- What we will be doing: chapter 2; discuss working in teams; assign business culture memo (Due no later than Friday, Jan 27th by 5PM)
- For next time: read chapter 3
Week 3 (ENG 155 C03) 1/23-/1/25
- What you need for class: draft of business culture memo
- What we will be doing: discuss chapter 3; business culture memo review;
- For next time: work on business culture memo submitted via email (Due no later than Friday, Jan. 27 by 5PM); study for test on Wednesday, Jan. 25 (Study Guide)
Wed. 1/25/12
- What you need for class: Reminder: business culture memo due on Friday by 5pm
- What we will be doing: Review Ch 1-3; Test prep
- For next time: Test Ch 1-3
Week 4 (ENG 155 C03) 1/30-2/1
Mon. 1/30
- What you need for class:
- What we will be doing: Test 1-3
- For next time: chapter 4
Wed. 2/1
- What you need for class: Read chapter 4.
- What we will be doing: chapter 4
- For next time: chapter 5
Week 5 (ENG 155 C03) 2/6-2/8
Mon. 2/6
- What you need for class: Have read chapter 5
- What we will be doing: chapter 5; Email from Reed Hastings: Netflix – An Explanation and Some Reflections
- For next time: chapter 6
Wed. 2/8
- What you need for class: Have read chapter 6
- What we will be doing: chapter 6; introduce group analysis project
- For next time:


